High-low white knit, dusky pink fur shorts, mink satin lace-up heels.
Cropped leopard-print fur jacket, simple geo-print silk scarf, cropped black skinny trousers, fur and buckle detail handbag, leather peep-toe booties.
Tan cropped long-sleeve knit, nude fur tote bag with chain handle, nude suede mini skirt with suede belt.
To conclude, there is fur everywhere at the moment, but I feel that is simply an outcome of a bigger picture. A diverse and eclectic mixing of luxurious fabrics is the trend here. Texture texture texture. Contrasting colours are NOT happening at the minute – we want smaller colour palettes with a wider range of materials. An indulgent trend, yet the limited use of colours balances this with class.
Imagine with: mini LBD / tight leggings and off the shoulder jumper / little skirt and knotted t-shirt / oversized but still short knitted dress.
Buy the boots here: Public Desire ‘Laurel’
Versace’s latest collection obeyed and caressed the female figure, made up of flowing shapes that followed the curves of the woman it dressed. Donnatella’s cuts, and many a cut-out, were bending and asymmetric templates placed to accentuate and boast about the body, in a bold and zero-fuss palette of black, white, red and blue.
The show began with aesthetically simple looks that focused entirely on silhouette, not an embellishment to be seen. Block colour power suits and jumpsuits alike were finished with billowing flared legs, which balanced the female form and secured her purposeful, strutting feet to the ground. Halter necks cupped busts and wide, buckled belts emphasised waists. The solid colours and outlines made a strong and statuesque woman; astral queens.
It was only until quite a way into the collection that Versace introduced beading, adding some glimmering movement, but this quickly went from subtle to spilling like gowns of glistening oil. The beads began to morph themselves into the structures of the clothes and engulfed them whole, sewn in lines and grids, showing off flesh like a mesh of second-skin. As well as floor-length pieces baring all, there were mini dresses paired with knee-high boots, making this collection the epitome of hot, haute sex appeal.
By the final quarter of the show, Donnatella was giving us pieces with a potent dose of both her focuses combined: the geometric cut-out, the cascading shape of the female form, in equal parts to glossy, figure-hugging blankets of twinkling beads. Versace has created goddess-worthy gowns for Spring 2015. The paradox is that, whilst following the natural contours of the body, this couture collection has gone to a rather celestial, space-age place.
Images from style.com.
Click on the images to view all 47 designs.
Click on the image to zoom
– T-shirt by Three Floor Fashion @ ASOS –
Inspired by this sparkling tee, the goal was to create an awkward high-school, high-fashion, high-shine image. Napoleon Dynamite meets Vogue. College sports meets catwalk.
Miss Selfridge Striped Bodycon Dress
Guess Oblong Ankle Boot
Dolce & Gabbana Cat-Eye Sunglasses @ ASOS
A bronze tan with apricot cheeks
Plumped up natural lip
A bright coloured set of outrageous nails
A fucking attitude to match
We are only a week into 2015 and already dreaming of summer. Blame Spring/Summer collections being released in December and January.
Hot and sticky beach getaways, white bikinis against tanned skin, chunky gold jewellery and lush red lips, cocktails and fresh limes, high heels with mini skirts and shorts, salty, rolled hair, oversized sunglasses, black lashes coated in thick waterproof mascara, bright and shining finger and toe nails, drinking in the balmy evenings after drinking in the heavy heat.
Guess Campaign Spring 2011